Log In | Become a Member | Contact Us


Market Intelligence for Printing and Publishing

Connect on Twitter | Facebook | LinkedIn

Featured:     Production Inkjet Tools & Resources     Industrial Print Analysis     European Coverage     Conversations on Print Podcast

Thought Leadership Video Series

Gasch Printing uses Océ equipment to bring the WOW in their bookprinting

Published on June 21, 2011

Gasch Printing's Director of Marketing Jeremy Hess shares their experience printing with Océ equipment to bring book printing to the independent publishing market.

Richard Romano:  Hi, I’m Richard Romano from WhatTheyThink.com and we’re here at the Oce Wow Live Event in Boca Raton, Florida.  And we are talking with Jeremy Hess, who is the Director of Marketing for Gasch Printing.  Jeremy thanks for joining us.  

Jeremy Hess:  Thank you.  

Richard:  Now, tell us a little bit about Gasch Printing, where you’re located, who your customers are, and what types of work you do that kind of thing.  

Jeremy:  We’re a book printer located just south of Baltimore, Maryland.  We do short to medium run books; anywhere from 10 to 2,000 quantity.  Our main market is small to medium sized publishing companies as well as a lot of independent publishers as that’s a growing, growing market.  

Richard:  Now, independent, I assume you mean, self or vanity publishers?  

Jeremy:  Self-publishers, yeah.  People who come to us from either online, whether they have one title, some of them even have 10, 15 titles, but yet they’re not going through the traditional publishing route…  

Richard:  And you find that growing.  

Jeremy:  It’s growing dramatically.  I mean, people really would rather avoid going through the publishing companies that are taking all of their profits and cuts.  They’d rather go through, sell the book themselves, just get it printed through us and then they distribute it however they like.  

Richard:  Now, do you handle any of the back end stuff?  Some of the sales and distribution or is it just the printing and then they are in charge of doing whatever… 

Jeremy:  They handle all of the you know, distribution because they’ll have different models that the like, you know, but it is a growing market in terms of why somebody else do it when I can do it myself and therefore keep control of everything instead of having somebody else have control of the project.  

Richard:  And some of those official publishers that you work with, what type of markets do they tend to be in?  Is it scholarly or is it trade or… 

Jeremy:  Yeah, a lot of trade or scholarly, it’s a good mix of both, I think.  Obviously books are making an impact on things, but the printed book is still preferred by a lot of people, so I don’t see it going away any time soon.  

Richard:  And what types of equipment do you have?  

Jeremy:  We have Oce 10000 Plex, and we also have a Oce 7550, both black and white, both digital web presses.  

Richard:  And how do you find working with Oce?  

Jeremy:  Good.  I mean, we just purchased the CS10000 a few months ago and we purchased it for the specific reason of half tone quality.  The customers we were going after had to have the half tone quality.  We searched all around, compared all the different products in their class, in that category and the 10000 was by far the best one.  It was, for us, a no-brainer.  

Richard:  So what are your marketing plans for attracting new types of customers, those types of self-publishers that you’re trying to attract?  

Jeremy:  We have a big footprint online, people who are, you know, searching for printers obviously for the independent publishing market.  They really don’t have the contacts within the printing industry, so they’re just sort of Googling everything trying to find out who I can get to help me with this.  So, that’s a big part of it as well as, you know, word of mouth.  You’re an independent publishers and you’re an independent publisher, if you’ve done business with me and have had good success, then you’re going to tell your friend and he’s gonna tell their friend and so on and so forth.  

Richard:  do you have any like prepress challenges, I’m sure dealing with the vast rabble, you probably get all sort of strange file, not necessarily from professional designers.  

Jeremy:  It makes it tough, especially in this kind of market, in the independent publishing area where they don’t necessarily always know what they’re doing.  You sort of have to educate them along.  And it’s a learning process for them obviously, but it’s something for us, it’s worth doing.  You know, what I mean.  If I can take the time to help you out personally with your book and you know, make that a success, that’s very valuable to you that you may not get from a bigger printing company somewhere else.  

Richard:  Do you do any e-book work?  

Jeremy:  We do some.  It’s obviously a growing trend and we want to be a part of that, but it’s a very complicated and mess industry right now in terms of all the different devices, all different you know, screen sizes and formats and all that kind of stuff.  But obviously, people are looking to get into it more and more and so we’re trying to do the best we can to help them with that. 

Richard:  And you’re staying on top of all the different formats and stuff?  

Jeremy:  We try to.  It’s a challenging process.  

Richard:  Like painting the Golden Gate Bridge.  So now, what brought you to this even down here in Florida?  

Jeremy:  We were actually with Oce at a conference in New York and they asked me to come down and speak on a customer panel, but we’re also looking at the Canon 7010 Color Box because we’re in the market for a new color box also.  And it’s always good to meet with you know, the industry leaders in terms of keeping up on the markets and what’s happening.  

Richard:  So what of the specific takeaways from this that you’re gonna sort of bring back when you head back to Baltimore. 

Jeremy:  I think you always take back on what other people are doing.  It’s good to always stay informed on… because obviously it’s a huge complicated industry.  There’s so many different avenues within book printing that everyone’s doing it differently.  So it’s always good to know, what can I do better? What are they doing that’s worked?  What are they doing that’s not really worked and what’s sort of learned from all of that.    

Richard:  Great.  Well thank you very much.  

Jeremy:  I appreciate it, thank you.  

Email Icon Email         

 

Post a Comment

To post a comment Log In or Become a Member, doing so is simple and free

 

 

Recent Videos

 

Video preview: Inkjet Head Technology Innovation at Konica Minolta Opens Up New Applications

Inkjet Head Technology Innovation at Konica Minolta Opens Up New Applications

Published: November 22, 2017

Gavin Jordan-Smith Vice President, Industrial Print and Graphic Communications at Konica Minolta provides an update on Konica Minolta lastest advancements in inkjet head technology and new applications these advancements are enabling in industrial and commercial printing.

 

Video preview: Graphic Arts Alliance Helped Modern Litho Save Money

Graphic Arts Alliance Helped Modern Litho Save Money

Published: November 21, 2017

Darrell Moore, President at Modern Litho, talks about his printing business and how he's saving money through the Graphic Arts Alliance purchasing cooperative.

 

Video preview: Frank Talks about a Slowdown In Ebooks And An Upsurge In Printed Books

Frank Talks about a Slowdown In Ebooks And An Upsurge In Printed Books

Published: November 17, 2017

Frank found an article in the Wall Street Journal about print books and ebooks. One graph showed a slowdown in ebooks and an upsurge in printed books. This warranted commentary, of course.

 

Video preview: PrintIQ's Approach to MIS and Workflow

PrintIQ's Approach to MIS and Workflow

Published: November 16, 2017

Mick Rowan (Director) and Adrian Fleming (Sales Director) at PrintIQ share their vision and approach to a cloud based management workflow system that goes beyond traditional MIS.

 

Video preview: Benefits of Belonging to a Purchasing Cooperative

Benefits of Belonging to a Purchasing Cooperative

Published: November 15, 2017

John Braceland of Graphic Arts Alliance talks about the member-run purchasing cooperative and how it helps printing companies increase buying power and save money on equipment and supplies.

 

Video preview: GMG Shows off Color Server 5 and PrintFactory by GMG at SGIA 2017

GMG Shows off Color Server 5 and PrintFactory by GMG at SGIA 2017

Published: November 13, 2017

Bart Fret, Director of Sales at GMG, talks Color Server 5 and PrintFactory at SGIA 17. These two products were the main focus of the show for them and Bart differentiates them both from other software offerings in the wide format segment.

 

View More Videos

 

Become a Member

Join the thousands of printing executives who are already part of the WhatTheyThink Community.

Copyright © 2017 WhatTheyThink. All Rights Reserved